It has a vertical direction on the fingerboard (similar to position playing) and a two octave range. Play this one in strict alternate picking, picking each new string like this: down - up - down - up. This exercise "fits" the chromatic scale in a guitar friendly format: four notes on each string. This creates a sound which imitates the melodic minor scale, which has a flattened 7th when descending, and a raised 7th when ascending, making the final note sound like a leading note in a minor scale. Two Useful Exercises for Jazz Guitar First exercise: Vertical (almost in position) At some point, the octave was divided up into 12 equal parts, consisting of all semitones or half-steps, with each note being a semitone above or below the last note. This shows how chromatic notes are able to alternate between different versions of themselves, even within one melody. The scope of this article being technical exercises, we'll look at two ways of organizing this scale on the fretboard: vertical and diagonal. In fact, the entire scale is easily played on a single guitar string! All you have to do is to play each consecutive frets, up or down. (descending) C B Bb A Ab G Gb F E Eb D Db This scale encompasses every color (thus every one of the 12 notes available on our Western musical instruments.) The twelve notes, starting on C: ( Also check out Podcast #4 here.) What is the Chromatic Scale?Ĭhroma means color in Greek. I often get asked by students: ".I know scales and stuff, but how can I add more chromaticism to my lines? How can I connect everything with half-steps?" My answer is: well, practice the chromatic scale first and all this stuff will soon become available to "glue" your melodic lines together.
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